Lorenzo GhibertiItalian Early Renaissance Sculptor, 1378-1455 | |||
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Josef and its brothers Josef et ses frères ID de tableau:: 39392 Voir la galerie dans Suède |
Josef and its brothers Josef et ses frères mk148 Element at the bronze gate of the baptism chapel of the cathedral in Florence mk148 Elément au portail en bronze de la chapelle de baptême de la cathédrale dans Florence mk148 Element_at_the_bronze_gate_of_the_baptism_chapel_of_the_cathedral_in_Florence |
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Self-portrait ID de tableau:: 44852 Voir la galerie dans Suède |
Self-portrait mk176 1425-52 mk176 1425-52 |
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Sacrifice of Isaac ID de tableau:: 62399 Voir la galerie dans Suède |
Sacrifice of Isaac 1401 Bronze relief Museo Nazionale del Bargello, Florence This panel, together with that made by Filippo Brunelleschi, both depicting the sacrifice of Isaac, have great artistic and historical importance. They are the famous trial pieces presented in a competition for the right to construct the door of the Baptistry. The lyrical elegance of Ghiberti's version undoubtedly expresses more coherently the famous Biblical episode. Ghiberti won the competition. *** Keywords: ************* Author: GHIBERTI, Lorenzo Title: Sacrifice of Isaac , 1401-1450 , Italian Form: sculpture , religious 1401_Bronze_relief_Museo_Nazionale_del_Bargello,_Florence_This_panel,_together_with_that_made_by_Filippo_Brunelleschi,_both_depicting_the_sacrifice_of_Isaac,_have_great_artistic_and_historical_importance._They_are_the_famous_trial_pieces_presented_in_a_competition_for_the_right_to_construct_the_door_of_the_Baptistry._The_lyrical_elegance_of_Ghiberti's_version_undoubtedly_expresses_more_coherently_the_famous_Biblical_episode._Ghiberti_won_the_competition._***_Keywords:_*************_Author:_GHIBERTI,_Lorenzo_Title:_Sacrifice_of_Isaac_,_1401-1450_,_Italian_Form:_sculpture_,_religious |
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Isaac Sends Esau to Hunt ID de tableau:: 63023 Voir la galerie dans Suède |
Isaac Sends Esau to Hunt 1425-52 Bronze Baptistry, Florence Following his journey to Rome in 1416, Ghiberti showed himself ever more receptive to ancient art. The models are never copied in a servile fashion, but are, rather, exploited as an inexhaustible source of inspiration, and transformed by a wholly modern, dynamic interpretation. The group of women on the left side, whose draperies move in folds revealing the forms of the body or fly in wind-lifted arabesques, appear in several scenes on the Gates of Paradise, each time in a new version. They are borrowed from antique sculpture, as in the canephore, whose ornamental potential was often to be exploited in Florentine renaissance painting. Artist: GHIBERTI, Lorenzo Painting Title: Isaac Sends Esau to Hunt (panel from the eastern door) , 1401-1450 Painting Style: Italian , sculpture Type: religious 1425-52_Bronze_Baptistry,_Florence_Following_his_journey_to_Rome_in_1416,_Ghiberti_showed_himself_ever_more_receptive_to_ancient_art._The_models_are_never_copied_in_a_servile_fashion,_but_are,_rather,_exploited_as_an_inexhaustible_source_of_inspiration,_and_transformed_by_a_wholly_modern,_dynamic_interpretation._The_group_of_women_on_the_left_side,_whose_draperies_move_in_folds_revealing_the_forms_of_the_body_or_fly_in_wind-lifted_arabesques,_appear_in_several_scenes_on_the_Gates_of_Paradise,_each_time_in_a_new_version._They_are_borrowed_from_antique_sculpture,_as_in_the_canephore,_whose_ornamental_potential_was_often_to_be_exploited_in_Florentine_renaissance_painting.__Artist:_GHIBERTI,_Lorenzo_Painting_Title:_Isaac_Sends_Esau_to_Hunt_(panel_from_the_eastern_door)_,__1401-1450_Painting_Style:_Italian_,_sculpture_Type:_religious |
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| Lorenzo Ghiberti | ||||||||||
| Italian Early Renaissance Sculptor, 1378-1455 | ||||||||||
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